Everybody loves Raymond.'" As soon as he heard the phrase, Romano called his manager and declared he had found the title for his show. When Romano was still developing his show, he was hunting for a title. One day, after drawing a blank several times, Romano was playing with his then-5-year-old daughter. "I say to her, 'Do you love me?' You know, just in a playful way," Romano recalled in an interview with the Los Angeles Times. "And she goes, 'Of course, I love you. While Ray Romano co-created the show and plays the title character, the self-aggrandizing title was not his idea - in fact, it was inspired by a remark from his daughter. You come in the next day and you rehearse all day and then at 4 o’clock you now do it for HBO, CBS, Worldwide Pants, and all the writers and Phil.Of course, the truth of the show is Raymond Barone is an intensely average guy and the title of the show is a tongue-in-cheek reference to his inability to please everyone all the time. So you memorize and you have to dump very quickly because you have to start again with a new script. “Things you have said are no longer there, things are added, transposed, whatever, but it’s new. “That night, we’d go home, and then at about 11 o’clock at night, there’s a new script on your doorstep,” she said. Once the cast went home, she said, the writers would begin refining the script in a process that required the actors to continually memorize new scripts and forget what they’d memorized the day before. The former Remington Steele star went on to say that by the late afternoon, the cast would perform a “run-through for the writers” and Rosenthal with scripts in hands. There would be a meeting with people from HBO, people from CBS, and people from Letterman’s company Worldwide Pants, talked to Phil and the writers and then in about a half an hour or so, we’d put it on its feet, we’d start rehearsing it.” Roberts described the weekly process of making each episode of ‘Raymond’ “It would be timed for how far over time we are, or under, which it never was, and to see what worked and what didn’t work. “We’d come in on Monday at about 10 o’clock and have a read around the table,” the veteran actor began. At the time of Roberts’ interview, Raymond was in its final season on CBS. The actor revealed that script approvals had to be obtained from not only the show’s network, CBS, but also from its other producers: HBO and the company belonging to the man who set Raymond in motion, David Letterman’s Worldwide Pants. ‘Raymond’ involved constant script rewritesĪs is the case with any great production, whether on television or not, there’s a great deal of work involved in getting scripts, dialogue, and the pace of each show just right, as Roberts told TAF in 2005.
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